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  • ThE PRETENTIOUS NONCONFOrMIST: A BLOG

    2019年11月7日
    Also noticing the manmade sounds of salvation, Siobhan grabbed my forearm and - without a word -...
    The faith of the international community is shaken. After a heart-wrenching string of deliberate...
      My father's stirring tribute to his eldest brother as published in the first  June 2015 issue...
    More Posts
  • A novel in progress...

    broken image

    The Scourging Tide

    The ocean night on the Pacific off the coast of Oahu was serene. The waves were no taller than two feet. It was just as calm on the fateful day more than 16 years ago when the submarine I was serving on surfaced in these waters into a Japanese fishing vessel called the Ehime Maru, sending it and several civilians to the bottom. The ship’s wreck once rested 2,000 feet below the surface of coordinates near where we were currently sailing. It lay in shallower waters now, south of Barbers Point on Oahu, recovered and lifted over after an agreement between the U.S. and Japanese governments. To this day, the USS Greenville and her crew haven’t quite been able to live it down – I know personally.

     

    I unscrewed my Thermos and poured myself cold coffee into the top, raising it to acknowledge the dead. My hand suddenly slipped and the Thermos’ contents took to the floor.

    “You’re in tatters, Daniel,” Siobhan said with a raised eyebrow as she stood next to me behind the steering panel. “All this foostering around was your idea so I need you awake.”

    Then she pointed toward where I spilled my drink and looked at me with a crooked smile. “Also, you’re licking that up later.”

     

    I feigned disgust, cleaned up my mess, and returned my attention to the radar screen. Just because Siobhan agreed to investigate my hunch on the mysterious sonar contact didn’t mean she had to like it. But she believed it more than most and I was grateful.

     

    Admittedly, it was a wild goose chase, tracking down something underwater without military-grade sonar (we wouldn’t be good Greenpeace representatives if we started deafening whales now, would we?). But the coincidences were enough to convince me it was worth the detour as we sailed toward where we heard the contact aboard the Greeneville earlier in the day. My screen made a subtle beep and bore a new contact that was right behind us.

     

    “New contact bearing one-eight-two; range 430 yards,” I announced. Siobhan checked my screen.

     

    “Unless that’s a whale breaching just behind us, radar should have picked that up from miles away.” Before we could query more into the new contact, it disappeared.

     

    “We’ve lost the contact,” I said. Siobhan radioed Alex Callahan in the crow’s nest to keep his eyes peeled for anything in the water off the stern. I saw the ship’s searchlight beam skip off the bow as Alex swept it over to face aft. I considered relenting on my search for the mysterious contact if we turned up short within a couple hours.

     

    Ten minutes after the transient radar anomaly emptily piqued our interest, the ship’s cook, Devin Greensworth, peeked into the bridge and announced that dinner was waiting in the galley. A mixture of muttering and relief filled the control room as it started to clear out. Suddenly, a woman’s shrill scream pierced the night air. Everyone looked in the direction it came from on the ship’s port side, but nothing unusual was visible from the bridge. I glanced at the radar and my jaw dropped.

     

    “Multiple contacts and they’re right on top of us!” I yelled. Siobhan ran over to confirm what I was seeing.

     

    “Oh, God,” she breathed.

    Then to my left, I saw the French Canadian scientist, Jennifer Martin, just outside the bridge’s windows, curiously hovering in the air. I realized something was holding her up as it moved into the beams of the ship’s overhead lights: It was scarlet red, wet, and wrapped around her entire torso. Jennifer was being held by what could only be the leaf-like end of a giant squid’s long whip tentacle. She was flailing her arms and legs, pleading for help.

     

    People in the bridge began to move to her aid, but the leaf suddenly gave her a ruthless squeeze that resonated with a sickening crunch. Her head slumped forward immediately. The tentacle then waved her limp, pulverized body around in the air before slamming it face-first into the side of the bridge, sending glass everywhere.

     

    What was left of her hung through a smashed window, oozing blood and pulp onto the floor next to me. The rank smell of ammonia emanated from her remains, confirming that we were indeed in the company of several specimen of Architeuthis. We couldn’t see the bulk of their bodies from the side of the ship, but no other marine animal had an appendage like the one that had just killed Jennifer.

     

    Some people on the bridge started bawling, others screamed, and another person started retching. The beasts must have snuck up on us while submerged to avoid our radar as another one purposely surfaced behind us to get our attention. If these squids were really cunning, they must have sensed the Oasis wasn’t propagating sonar pulses.

     

    Could they tell between a harmless civilian ship and a military vessel outfitted with cutting edge detection systems? And to that end, had anyone else – especially anybody at Pearl Harbor – been alerted to their presence? Were they even detectable by sonar? At the very least, I was willing to guess our foes were more intelligent than we gave them scientific credit for. We were in trouble.

     

    I peered over my blood-splattered instrument panel to see if anyone was on the ship’s forecastle and bristled with horror when I saw someone rushing from the tip of the bow to get inside. I stepped outside the bridge onto the upper deck and desperately yelled at our crewmate to haul ass. As he sprinted into view, I recognized deckhand Frans Klerk.

     

    Another extended tentacle with a leaf-looking end appeared from the port side bow, slowly curving backward. It bore down sideways on Frans with the force and velocity of a golf swing, launching him clear off the ship. It was as if the squids had more than the sensation of touch in their arms that made them so effective at surgically removing us, one by one. I looked over at Siobhan, who was staring right back at me. She was in disbelief and shock.

     

    “Man overboard!” I yelled. But I knew he was gone. Shaking off her nerves, Siobhan took a breath and stoically got on the PA system.

     

    “All hands are to get indoors and as far from windows as they can and await further orders - we are under attack from several giant squids…this is not a drill. I repeat, this is not a drill.” Her hands were quivering as she put the receiver back into its cradle. She then sounded the general alarm – 7 horn blasts followed by a long blast - and radioed out a distress call on VHF Channel 16. The bridge cleared of the crew members whose stations were elsewhere on the ship.

     

    “Mayday, mayday, mayday. This is the Oasis. We are an ice-class research vessel with 20 aboard. Several hostile animals – most likely giant squids – are attacking crew members.”

     

    Oasis, this is U.S. Coast Guard Honolulu, we read you. Did you say giant squids? Over.”

     

    “Affirmative,” Siobhan said as she stared at me with apprehensive eyes. “We already have casualties, over.” I could imagine the mix of confusion and skepticism the other end of the transmission.

     

    After a few seconds, the dispatcher asked, “Oasis switch to channel 22A and forward us your GPS coordinates, over.” While looking at my screen, Siobhan dialed in to the new channel and relayed our coordinates.

     

    “Our coordinates are north, 21° 5 decimal 1-7-4, and west 157° 50 decimal 1-1-5., about ten miles off the coast of Oahu.”

     

    “Received, understood, Oasis.” The ship suddenly stopped and jerked as if something had yanked it back. Siobhan tried to push the steering control levers forward.

     

    “We’ve lost propulsion! Engineering, what’s going on?” Siobhan said into her receiver. Nobody replied. I looked at the radar screen again and immediately regretted it: We were surrounded by nine sizeable contacts, each more than half the Oasis’s length. That they were detectable by radar meant they had all surfaced.

     

    The only person who probably had a view of the squids was Alex in the crow’s nest – based on Jennifer and Frans’ fates, any other crew member trying to peer over the side of the ship was going overboard or into a cephalopod digestive tract. I could tell from the searchlight beam’s erratic movement around the ship that Alex was watching what I could only imagine to be a murderous garden of living vines slowly overwhelming the hull.

     

    Oasis, I need your crew in lifejackets – can you reach your lifeboats? Over.” the Coast Guard dispatcher queried.

     

    “We have RHIBs with enough room for the crew, but we’re not safe on deck to unmoor them,” Siobhan replied.

     

    The ship had two fast rigid-hull inflatable boats that could fit 36 people between them – nearly two times the crew on board – but we needed the two skilled operators among us to stay alive to stand a chance in escaping through the monster-infested waters. And almost as importantly, we needed enough time to lower the boats into the water. Chances were the squids would drag them under before we would even have a chance to hop in.

     

    “We also have a helo on deck that can fit four people,” Siobhan added. Another scream tore through the air and ended with a reverberating thud somewhere aft of the bridge.

    Siobhan radioed the Coast Guard again.

     

    “They’re literally picking us off one by one, over.” At that moment, five enormous arms lined with suckers climbed on board the bow and pushed down on it. The ship lurched, knocking everyone in the bridge off balance and over.

     

    Oasis, we’re sending a SAR team your way - are you taking on water? Over.”

    I noticed Siobhan had a cut on her forehead as she pushed off her knee to get back up.

    Her Greenpeace cap had fallen off, leaving her wavy mane of amber hair to fall around her face which glistened with sweat. She picked up the receiver back up.

     

    “Not yet, but these squids are handing us our arses – .”

     

    Suddenly, John Quarry, one of the RHIB operators, appeared outside of the bridge’s starboard side wrapped in the end of a sucker-lined arm. I froze. Siobhan dropped the receiver with her mouth agape, letting it bungee to the floor. The other Navy veteran on the ship was fighting for his life, angrily trying to pry off the vice grip of his monstrous foe. It only got more difficult for John as the huge, sharp teeth lining each arm sucker deeply lacerated his hands and arms, slowly shredding off his skin and clothes.

     

    Blood was cascading down the squid’s arm and his legs. Then, as soon as John appeared, he was gone, hopefully dragged underwater to drown rather than gnashed to bits. Siobhan got back on the PA system, pleading, “do not go on deck, you will die. Put on your lifejackets.”

     

    The remaining RHIB operator’s voice came on her handset, struggling for breath. “Captain, this is Kamarov, I’m on poop deck at the stern, we just lost Kaminsky and Liu. It first took Kaminsky…everyone went to railing to pull him back…then one of the arms swept them all overboard. [-A loud noise interrupts the transmission, someone screams and then begins sobbing uncontrollably behind him-] What are your orders, Captain?”

     

    “Goddammit,” Siobhan yelled. In one sweep of a squid arm, the headcount of the engineering and electrical team dropped from four to two – Alicia Kempf and Grant “Gears” Gagnon were the only two crew members capable of troubleshooting any powertrain and electric problems left.

     

    Addressing Sergei Kamarov’s increasingly pressing question, Siobhan told him to stay put and out of the squids’ “sight” as he was our only way off the ship in a RHIB.

    Siobhan radioed for Alex at the crow’s nest.

     

    “Alex, what are you seeing up there?” I hadn’t seen the searchlight in some time and wasn’t sure Siobhan would hear back. The ship started rocking unnaturally. The waves hadn’t been taller than two feet all night - even factoring in the chop the squids were making around the ship, that could only mean they were jostling with the hull. I shuddered at the thought that their beaks may pierce it and send all of us to the bottom. I took a deep breath and started thinking about our options - crew members were depending on me to help them avoid the same fate and my Navy experience had to count for something.

     

    Engineer Alicia Kempf’s voice rang out on intercom from the engine room. “Captain, we’re taking on water [– a grating metallic noise -] I think the squids are starting to bite into the hull because small pairs of puncture marks are [– more grating ­­­-] sinking us from everywhere.”

     

    It sounded like the devil was scratching a chalkboard down there and I could barely hear Alicia over the chaos around her. “There’s a meter of water down here already and it’s been coming in for five minutes and the bilge pump is running overtime. We’re going to lose the engines at this rate.” The diesel motors powering the propellers were about to get waterlogged.

     

    The ship was about to be dead in the water with a shoal of oversized squids as company and it appeared the remaining crew would follow suit if we continued to play it safe. We weren’t just losing the ship’s capabilities – we were losing the people who were trained to make use of those capabilities. I didn’t want to think about it, but the possibility that the Oasis was doomed was becoming very real. The captain stood with her hands on the instrument panel.

    I blurted out an idea.

     

    “Maybe if we throw a RHIB in the water, it can be bait…I don’t know.”

     

    Siobhan looked at me almost with derision. “We have one RHIB operator now that Quarry’s gone, so I’m going to tell you that’s a terrible idea. We might have 20 minutes max before we’re under. Start thinking, but nobody is running off with a RHIB, at least not yet. Where the hell is Abdullah?”

     

    She radioed for the first mate. “Abdullah, we need you at the bridge…can you sneak over?” No reply. I wasn’t surprised Siobhan wasn’t having any of my maritime advice; I spent the first half of my adult life at sea wearing headphones in front of a screen and listening for things in the water while Abdullah learned how to sail a boat by himself in the Mediterranean Sea at age 10 while growing up on the Tel Aviv coast. Siobhan raised her receiver again. “Eli, come in.” she said.

     

    “Captain, I read you.” Eli Levinson replied.

     

    “Fire up the helo, we need to start evacuating,” Siobhan said. “Can you make it past the squids?”

    The helicopter could only hold four people including Eli as its pilot, but given the squids’ ruthless killing spree on the crew, carrying capacity may have no longer been a concern. Meanwhile, I started for the door to the deck because someone had to survey what was going on.

     

    “On it,” Eli replied. There was no fear in the Israeli’s voice. Noticing me making for the door, Siobhan grabbed me by the arm of my jacket before I could pull the latch.

     

    “Are you serious? I’m not about to lose you right now you moron, I need you here.”

     

    You need a pair of eyes around your ship. I’ll be back ASAP,” I said. I had to look around because we didn’t yet know if the squids had disabled the RHIBs or brutalized more essential crew than initially thought. I stepped out, looked up at the crow’s nest, and saw the searchlight arbitrarily pointing downward and unattended. Either I’d find Alex dead or alive somewhere around the ship or he was squid fodder.

     

    I paused for a moment to mull over how I could avoid detection by the squids while scouring the ship for survivors and useful info to relay back to Siobhan. If our invertebrate assailants were smarter than we had been giving them credit for, they were probably drawing us out, waiting to strike when we were tending to our wounded on-deck – as if they were preying on our humanity.

     

    Voices were intermittently echoing around the outside of ship, mixed in with muffled sobbing. Some people just weren’t listening to Siobhan’s order to get inside and falling right into the squids’ traps.

     

    As stealthily as I could, I scaled the port side of the ship’s superstructure, slinking toward the RHIB boats moored just forward of the helideck. From my viewpoint on the upper deck, I could see one was still hanging in place; the other RHIB was on the starboard side and out of my sight. I heard a voice and saw crew members one deck below me. It belonged to the ship’s medic, Eun Park, who was huddling over deckhand Alexa DeVries, next to another crew member with his or her back turned toward me. A winding trail of blood said they had pulled her away from the upper deck to a secluded stairwell hidden by the shadows of the superstructure. Alexa might have been dead anyway because she was lying spread-eagle with the dark red pool around her rapidly spreading, but I couldn’t see the extent of her injuries for sure.

     

    I heard a subtle splash just ahead of me off the side of the ship. A menacing trio of suckered arms quietly rose from the depths, probably hungry for more carnage. The two souls attending to Alexa saw the arms and frantically – but quietly – looked for somewhere to escape, looked toward each other, then slowly backed as far away from the side of the ship as they could, leaving the Dutchwoman’s body behind.

     

    I didn’t dare breathe or twitch; I could only hopelessly watch as the arms started feeling their way toward the medic and crew member. It was beyond me how the giant squids had the extrasensory perception from underneath the ship to “hear us” us out on deck. Opting to book it to safety, Eun and the crew member – who I could finally identify as Devin – hustled up the stairs toward the upper deck where I was, but the suckered arms were closing in, and fast.

     

    I concluded the arms could hear noises or sense the vibrations our feet made as we scrambled to get away – echolocation would make sense since these monsters were marine animals who lived in the blackest depths of the ocean. Without thinking too seriously, I yelled. Loudly.

     

    “Come after me you sons of bitches.”

    One arm relented and started gliding along the railing in the direction of my voice, making a deep grinding noise and kicking up sparks where its sucker teeth grated on the ship’s metal railing. I was hoping the other two arms would join the distraction as I sprinted for the bridge. A leafed tentacle emerged from the ocean to my right, just ahead of where I was running, curling itself into what resembled a boxer’s glove. I was about to be punched into the ship.

     

    Instead, the rolled-up tentacle rose skyward, lined itself up with the two figures loudly ascending the stairway behind me and then slammed downward on Devin like a hammer smashing into a nail, splattering the contents of his body all over Eun while punishing the integrity of the upper deck he had just been standing on.

     

    Then, two of the three suckered arms caught onto Eun. As the ship’s de facto medical officer, she was the lifeline we needed right now. I needed a hatchet I didn’t have and a gun that wasn’t allowed on the ship, but I started back down the stairs toward the swiveling bouquet of cephalopod arms anyway. I knew there was an emergency hatchet stationed on-deck just beyond the squid’s deadly reach.

     

    Eun was trying to scream, but one arm had wrapped around her waist and legs while the other was wrapped around her upper body, covering her jaw. Without warning, the arms started wrenching away from each other like they were wringing a wet washcloth, rending Eun into two, slowly and methodically. These motherfuckers were going to kill all of us. She looked straight at me; her face was contorted in agony. I was out of options to save her as she dangled several feet away from the side of the ship.

     

    I could hear her spine start to disintegrate as the squid continued to tear her in half. If her diaphragm hadn’t been pulled apart, I’d imagine she’d be screaming, but her small figure must have been papier mache to the squid. The arms then threw Eun’s halves onto the deck. When she came to rest, her face lay on its cheek with her eyes rolled back into her head; her severed spine and entrails trailed from her top half. A few feet away, her waist lay on the deck, with her legs twisting around each other, mangled with open fractures.

     

    Still trying to process what was happening, I darted back to the bridge, eyeing a big blood-coated dent from an impact on one of the ship’s exhaust funnels. The crumpled heap below it on the upper deck was defined by a yellow down jacket, what appeared to be hair, and pinkish-red guts; it was unrecognizable, but the jacket told me it was Gears Gagnon. One engineer left. I felt bile build in the back of my throat. Less than half the crew had survived a matter of minutes struggling with the squids.

     

    Siobhan looked my way through the bridge’s starboard window as I galloped up the stairs toward the ship’s control room. She visibly inhaled at the sight of me walking back in and radioed Alicia. I hadn’t felt the engines vibrate at my feet for a long time.

     

    “Captain, the engines are almost two meters underwater – I have to leave the engine room.” Alicia said. While I had been appraising the situation outside the bridge, I hadn’t paid attention to how close we were to sinking. The VHF channel came alive.

     

    Oasis, we have cutters coming your way, ETA 16 minutes,” the Coast Guard dispatcher said matter-of-factly.

     

    “I copy - we are taking on water.” Siobhan returned the VHF handset to its cradle.

     

    “Captain, this is Abdullah,” crackled Siobhan’s radio. “I’m using Eli’s radio – he’s got the helo running, but I think it’s only a matter of time until the squids notice the rotors.”

    Abdullah must have also thought the monsters were sensitive to sound.

    Raising her voice, Siobhan called for one final headcount on the shipwide channel.

     

    “Everyone check in, now.”

     

    “Captain, this is Kempf, I’m in the comm room.”

     

    “OK Alicia, head for the helideck, on the double,” Siobhan responded. Even if there was a RHIB left on the ship, we would have better luck braving 20-foot swells than eluding exceedingly intelligent animals that probably stretched longer than the length of an ice hockey rink.

     

    “Kamarov reporting in. I’m on my way to the helideck.”

    “I copy, Sergei,” Siobhan replied.

     

    “Sayed and Levinson reporting in from the helideck.”

     

    “Copy that,” Siobhan replied.

     

    Could we fit six people in a helicopter that could only fit four? We waited in silence for the next 30 seconds. There was no one else left of the 18 people who left Honolulu with us. I turned to Siobhan, who was shaking. I grabbed both her shoulders and turned her toward me.

     

    “Time to get out of here, Captain.” I looked to the ship’s bow. The forward deck was clearly taking on water and the ship was tilting nearly 10 degrees portside while still being tossed around by the squids. I grabbed two lifejackets and threw one into Siobhan’s hands. As we put them on, I looked around the bridge. Jennifer’s body was still oozing onto the floor, half the screens were blinking error messages, and the VHF receiver was off its cradle, swinging around aimlessly on its cord. I chose not to look out the windows toward the rampaging mollusks gathering around the bow. One final time, Siobhan radioed the Coast Guard dispatcher.

     

    “Coast Guard, Coast Guard, this is the captain, we are making for the stern - the bridge is about to go under; will contact you when we get there. Over.”

     

    “Copy that,” replied the dispatcher. Siobhan then unceremoniously dropped the receiver and dialed the dispatcher’s channel into her handset. She then looked in my eyes and gently brushed my hair before saying, “let’s go.”

    Siobhan burst out through the bridge’s portside door onto the upper deck and began scurrying down flights of stairs toward the stern, looking back at me once. I heard a squid arm slam behind us in our wake. At full sprint, reaching the stern took less time and distance than a 100-meter dash. As we approached it, I noticed one of the RHIBs had been yanked clean off its crane. I risked a glance over the side and vaguely saw the squids were starting to congregate toward the stern of the ship – exactly where we were expecting everyone left on the ship to go.

     

    I could see the helo’s spinning rotors, but the ship’s list toward the port bow was becoming severe and our escape route was getting more complicated. The forward deck of the ship had already plunged into the ocean and any unsecured cargo or objects on the main deck were sliding in the opposite direction we were running, threatening to knock us backward. I skipped over an incoming crate that was speeding my way and watched it plummet toward the two squids positioning themselves above the submerged part of the ship at the bow.

     

    I finally saw them in all their Lovecraftian glory, put on exhibit by the bridge’s overhead lights: two living krakens, writhed viciously at the bow, savagely pulling down on the ship with half their arms and violently slapping away at the ship’s superstructure with the rest. Their nightmarish bloodstained beaks were loudly clacking, impatiently waiting for more human chow. The Loch Ness Monster and Bigfoot couldn’t begin to scare me more than what I was looking back at. Their mantles were blood red and their eyes glowed lime green, illuminating the murky waters they were half-submerged in with a radioactive hue. Losing our footing meant certain death – we kept running toward the helicopter.

     

    “I have Alicia, Sergei, Abdullah, and myself on the helo, Captain, where are you? We can take one more,” radioed Eli as we continued running.

     

    Struggling to speak while sprinting, Siobhan exhaustedly replied, “I’m here with Daniel…” Slightly slowing her pace, Siobhan looked over at me with forlorn eyes. Between her and I, only one of us could hop on the overcrowded helo - and a good captain always went down with his or her ship. I could read her mind and understand, but…I pulled out my handset.

     

    “Eli, this is Daniel. Take off. Now! Radio ahead for an LZ on one of the cutters or head for land, we’re only ten miles out.” Siobhan and I scaled the rising stern toward the helideck.

     

    “Captain, it has been an honor and privilege.” Eli radioed from the helo. “Daniel, you owe me alcohol and lotto tickets. Rest assured, I will be seeing you soon whether you like it or not.”

     

    The Messerschmitt-Bölkow-Blohm Bo-105 then lifted off, nearly falling into the superstructure during its initial ascent because of the ship’s severe list. After holding my breath for what felt like the hundredth time tonight over imminent calamity, I exhaled with relief and replied, “Affirmative, Eli. Over and out.” Squid arms and tentacles were already feeling the edge of the helideck from over the sides of the sinking ship. We were fucked, but at least others would live.

     

    I kept my eyes peeled for any sign of the Coast Guard. The Lusitania sank in 18 minutes; the Oasis appeared to want to beat that time. The consequences of our ship's inevitable foundering might not have been so dire as to take more than a thousand souls and inflame a world war, but goddammit, I really didn't want to die. Then in the distance, I saw a collection of approaching lights. Then...rotors. It was them. They were all getting free rounds of whatever they wanted, those fantastic Coastie bastards.

  • (DETROIT-BASED SOCIAL MEDIA AGENCY)

    detroit fine arts breakfast club dfabc

    Writing by Ray Hidalgo

    8/15/2018

     

    The Detroit Fine Arts Breakfast Club is a fascinating group that anyone involved in Detroit’s art landscape should know about. Through its events, aspiring artists can share their work with the public. They can also meet local art experts and influencers in a warm, unpretentious atmosphere.

     

    Every early Monday evening at Noni’s Sherwood Grille, the club gives two minutes to anyone who wants to present two pieces of artwork in front of a gathering of their peers, collectors, and members of the public. Of the 80-100 audience members usually present, many maintain significant ties to the local art scene.

     

    “You’re in front of a community of possible followers and collectors,” collage artist Judy Bowman said. “It’s a great opportunity for exposure.”

     

    In the two minutes that every artist is given to showcase their work, audience members are welcome to provide feedback ranging from critiques and praise, to bids on a presented piece. While many of the artists who are presenting are newcomers, it isn’t unheard of for their work to get bought for thousands of dollars by someone in the Breakfast Club. The money side of art is also strong here.

     

    “Art is a business,” Breakfast Club co-founder Henry Harper said. “You should be able to look at a painting on a wall and know [that its worth] can send your kids to college.”


    Harper’s background in antiques and private art investment adds more depth to the pool of art knowledge shared between members of the audience on any given Monday. Just attending the Breakfast Club guarantees that any artist – new and established – will gain something new, whether it’s advice from the the person in the next seat, or money from selling a piece of art.

     

    “You’ll never be by yourself as an artist again,” Bowman said. “Someone from Breakfast Club will always be there.”

     

    For more information, check out the Breakfast Club’s Facebook Page.

    ford open house michigan central station

    Writing by Ray Hidalgo

    6/25/2018

     

    For decades, the station’s shadow loomed over the city’s Corktown district. It stood as a visible reminder of the area’s decline. Abandoned by Amtrak in 1988, the towering structure became an empty shell. Afterward. it was the subject of several failed development concepts and constant vandalism. Although the incoming Ford era is a fresh chapter in the storied building’s more than century-long history, the open house was a public study in urban erosion.

     

    Inside, graffiti is almost everywhere within human reach, and most surfaces from floor to ceiling bear degrees of deterioration. Despite the building’s unchanged state of disrepair, Ford’s overarching message during the event promised the opposite. The automaker emphasized rebirth, not only for the station, but also for Detroit itself.

     

    Attendees interacted with exhibit iPads by sharing their “dreams for the future of a more advanced Detroit.” Meanwhile, a large projector screen aired segments and quotes about the station and the city from the History Channel. The automaker also focused on the station’s history by assembling a makeshift museum. Featured artwork and sequences of placards displaying images, timelines, and captions gave attendees a side-by-side sense of past and present.

     

    As for the station’s future, Ford plans to renovate it into an automotive tech campus. The automaker made it clear it is looking to advance itself and the Detroit community. And based on how many people the event attracted, the Detroit community will be paying attention to Ford’s progress.

  • (METRO DETROIT WEB DEVELOPMENT & MARKETING AGENCY)

    broken image

    September 28, 2015 | by Ray Hidalgo

     

    For social media personalities, it’s a numerical ego boost; and for online journalists, it’s measurable exposure; but for walk-in businesses, serious web traffic can mean new customers, increased foot traffic, and revenue. Before companies plan for large reception areas with outdated magazines and a poorly maintained aquarium, however, they need the right kind of web traffic to convert it into new customers. To better illustrate this important distinction, we’ve come up with a fictional example.

     

    “BUT EVERYONE LOVES OUR PIZZA!”

     

    Mario and Luigi’s Pizzeria is located in New Jersey, minutes away from New York City. They are looking into a way to boost their online presence and draw in new customers since a new trend in commuter traffic has forced their regulars to eat local New York City pizza rather than driving through gridlock while hungry.

     

    Before, they had an easy commute home and had enough time to grab the duo’s favorite “Goomba Special” mushroom pizza. Here’s a list of what we generally recommend for businesses looking to retain customers, gain new customers, and maintain a sustainable brand.

     

    CREATING A USER-FRIENDLY WEBSITE

    Pizza doesn’t begin to cover the endless market of business products that are a good fit for web marketing. But in order to establish credibility, companies need to acknowledge a general rule of thumb: Customers in recent years are beginning to favor websites that they can view on mobile devices and navigate with ease. For that we recommend is responsive web design. It produces websites that are tailored to every screen resolution from smartphones and tablets to desktop screens for easy viewing.

    If you can’t create a business website of your own, be prepared to throw down some change. The composition of the website itself serves as a platform for the following important digital and offline marketing tactics. Ignoring the website in and of itself will be an unwise choice.

     

    FRESH BRANDING

    For Mario and Luigi, using warm childhood memories about video games and channeling them into menu designs, pizzeria wallpaper, storefront awnings, logos, general fonts, and advertising messages gives their business a definite personality; a brand that everyone can remember, value, and trust because it feeds off of what its customers want, enjoy, and come to know.

     

    BEWARE, however. Do not be tricked by thinking that a good looking website and brand will get you the right web traffic. If Mario and Luigi write blogs about their favorite video games, it won’t get foot traffic, but rather, web traffic with people who might be more interested in video games than pizza. However, if they recognize that there is in fact an overlap of both pizza and video game audiences, feeding off of that can definitely draw foot traffic.

     

    SEARCH ENGINE OPTIMIZATION

    “I want to make the first page of Google rankings” is the new business catchphrase. However, as delicious as the Goomba Special might be, the endless abundance of pizza joints in the greater New York and New Jersey area might just rival the amount of food stalls in Beijing and Hong Kong put together. And especially if Mario and Luigi don’t SEO their site properly, search engines will penalize its rank – significantly.

     

    Trying to nab a front page ranking in competitive markets is often times close to impossible, but that is only for general search engine keywords. There’s an alternative strategy that targets drawn out long-tail keywords that are slightly off the radar but nonetheless searched for often enough. Even smaller businesses can take advantage of these. Centering content and SEO practices around these particular keywords is an intelligent strategy. Localizing your SEO so that search results from local markets are favored over somebody in Nebraska or California is also important.

     

    Done correctly, people looking for pizza online or querying “best mushroom pizza around New York” will pull up Mario and Luigi’s pizzeria as one of the first results. In theory, this should draw some foot traffic or dispatch a delivery person to a door.

     

    Beyond SEO, user-submitted online reviews based on the inherent quality of customer service and products themselves are also a major factor in how search engines determine a business website’s credibility and subsequent ranking.

     

    REGISTERING GOOGLE, YELLOW PAGES, AND OTHER SEARCH ENGINE LISTINGS

    It’s no longer your Daddy’s phonebook. Yellow Page listings not only contain business phone numbers and addresses – GPS location maps, verified online reviews, picture galleries, accepted credit cards, menus, social media links, and more await the discerning customer.

     

    And for the customer on the fly, Google integrates its Google Maps app into listings to drive them to business’ front doors on top of everything that Yellow Pages offers to boot. Neglecting these services is unwise, to say the least.

     

    CONTENT/SOCIAL MEDIA MARKETING

    Providing great informative content for customers so that they may spend on the company the best fits their needs (yours, right?) and forging a visible, digital path to your business via SEO practices will craft a solid platform. It should not only please search engines, but also the choosy customer.

     

    Enter the customer’s mind: What goes into every pizza? What are the highlights of the recipe and who came up with it? Where are all the ingredients from and how do they reach the pizzeria? Are the ingredients fresh or frozen? How long is the average wait for a pizza?

     

    Answering those important questions and leveraging them through your website and social media will draw both pizza aficionados and famished, impressionable customers through the pizzeria doors.

    Because everyone loves witty company messages as well as video montages of pizza utencils working up fresh, greasy slices of cheese-drenched pie. But when these are presented on the social media channels surrounded by the right information under one banner, Mario and Luigi have an even better brand on their hands.

     

    PAID ONLINE ADS

    Paid advertising continues to be a pillar of online business. For companies looking to break into the market and generate momentum, paid ads are a viable way to build up a business due to their ease of deployment and flexibility. Google AdWords and Bing Ads are the top dogs in that department with models centering around payment “per click” and monetized search engine keywords.

     

    ANALYTICS

    Everything we just mentioned can be monitored, scrutinized, and optimized with insights from analytics. Would Mario and Luigi rather have web traffic from China or the East Coast? Well, it isn’t exactly possible to draw in foot traffic from new customers from China, so obviously the East Coast is the better choice. Let’s say the duo finds out that they have more visitors from China (for reasons unknown) to their site. The best way for them to find this out is through analytics platforms like Google Analytics.

     

    If they can’t figure out why they aren’t generating more business even after creating a website, Mario and Luigi can look at their analytics dashboard, analyze blog traffic trends such as average time spent reading a page, and determine a smarter strategy through those insights. Without that added statistical perspective, they are operating blind without even knowing if their website is returning on the investments they put into it.

     

    IN CLOSING…

     

    The old school ways of in-person recommendations, walking/driving by a store, or perusing a phone book are still around. But with the abundance of information available to potential buyers, businesses need to adapt in ways that are outside of the box of conventional marketing and advertising.

     

    Whether companies want to sell branded pizza, cars, or even ideas, it all comes down to creating web traffic, discovering a target market, catering to that target market, and executing a sales and marketing campaign. Above all however, keeping vigilant eyes on if the campaign is profitable in the digital realm and bringing in foot traffic needs to be a priority. It will not only give a crucial level of awareness for a company’s business strategy; it will also ultimately get the product in front of the right people for them to decide on.

    broken image

    September 2, 2015 | by Ray Hidalgo

     

    FREE!*

    *But it depends on what you’re looking for in a website!

     

    Here are some general price ranges we came up with. But before you make a website, evaluate why you are creating a website, who your audience is, and what kind of web presence you want to generate as a direct result of your site. So, how much does it cost to make a website? That’s entirely up to you.

     

    FREE TO $50 MONTHLY

    This is do-it-yourself territory! For the more agile web surfer, websites like Wix, Weebly, and Squarespace offer free website services. Users can place content (photos, videos, links, text) onto preexisting templates and customize the formatting of their pages – to an extent. Also known as mobile web builders and what-you-see-is-what-you-get (WYSIWYG) content management systems, these service providers can give form to blogs and professional portfolios. But without the premium customization options that small businesses may need, they aren’t designed for everyone or every company.

     

    UNDER $1000

    At this price range, we’re going to assume that you are ready to shell out some Benjis and throw them at a developer. But buyer beware: There’s a considerable chance that you’re going to get a product that isn’t up to par. Inexperienced freelancers and companies that outsource overseas may charge you prices that are consistent with some high-end kitchen appliances. But as the tired truth goes, “time is money.” And if they don’t have the time to send you proofs or deliverables during the design and development process, it’s likely they are wasting your money on a poorly crafted website. And especially if you are a business, this can be a pitfall for your ROI.

     

    $1000 – $3000

    Developers at this level will be more experienced freelancers or smaller web design firms. You’ll get a template-based website with a maximum of two deliverables (for design and for development). These are essentially drafts of your website’s pages. If the developer(s) are implementing responsive design (which they should be), creating mock-ups of your website’s pages on the three main formats (desktop, tablet, mobile) should take considerable effort on their behalf. Back to “time is money,” the developer you hire will charge you for their time, but if they are competent, that time will be reflected in the lengths they take to stay transparent on the methodology behind delivering a quality site for you to call your own.

     

    $3,000 – $7,500

    So you want to play in the big leagues, eh? Expect freelancers who straight-up know their shit or reputable web design agencies. Assuming that you are buying based on your needs rather than your wallet, you’ll get a highly to fully customized template-based website. There will be multiple deliverables in the development and design process to keep you in the game through an account manager who should be maintaining an open line of communication with you. Companies in this budget range will focus on your specific needs and project quality as opposed to throwing your product through the same process that it would use to approach the projects of its other clients.

     

    $10,000+

    Wouldn’t you rather buy a Rolex? Anyway, this price tag applies to websites designed and developed by medium to larger-sized agencies. You’ll be treated to a holistic strategy that makes your website the single point of the entire buying process. Regarding production, these agencies will kick out a fully customized website, tailored to your brand. You will also sit down with a project manager or Don Draper…err…a creative director, along with a whole team of designers, developers, and content writers who are tasked to your project. Just make sure you get an Old Fashioned before leaving the boardroom.

    broken image

    August 4, 2015 | by Ray Hidalgo with special thanks to the MSU Admissions Office

     

    The marketing concept of brand affinity probably won’t be the first thing to come to mind regarding college. Especially at Michigan State University, foggy weekend nights, roller coaster football victories, and caffeine-addled study marathons are among the experiences that alumni (author included) will warmly remember with pride for their alma mater (read: brand affinity).

     

    For the undergraduate college admissions office that welcomed us into the Spartan ranks, however, its efforts to extend that same opportunity to undecided high school seniors are no longer as defined as they used to be; the channels of communication technology continue to shift. But with communications manager Julia Janssen at the helm of the MSU admissions office’s social media and digital campaigns, recruiting prospective freshmen and nurturing school spirit can be a matter of direct social media engagement.

     

    “People aren’t coming to social platforms in the search phase of college,” Janssen said. “It’s really after they submit an application or they’ve been accepted and they’re trying to decide between colleges when they’ll start building a relationship with the school and really where social [media] is a big player in my mind.”

     

    To draw undecided applicants further down the consideration stage and into its social media network, much of the recruitment material that Janssen’s office distributes prominently features hashtags including #BeASpartan and #Spartans2019.

     

    “From the beginning, we’re trying to get students to connect with us as part of our effort to try and drive that community sense and make them feel like they’re important here,” Janssen said. As involved in social media as she is, Janssen is also well aware that she has to continually adapt to her audience.

     

    “Our demographic is always going to stay the same,” she said. “I may be getting older every year but I keep on trying to recruit that 17 to 18-year-old so I always have to evolve and stay on top of what we think these students are using, what are they relating well with, where are they going for information, and what are they trusting.”

     

    At least for now, 50 percent of high school students in a 2015 Chegg survey said social media conversation influences their decision on where to enroll. With the resources of MSU at her disposal, Janssen continues to thrive on continuing the conversation through social media’s major hubs, also adapting the content of her posts and replies to the personas that students specifically assume for each outlet:

    • Facebook: “Facebook is a more formal channel where I post more announcements, reminders, or photo driven things.” Janssen also uses fewer hashtags than other outlets.
    • Twitter: “Twitter is more free form conversation. We tend to get the most questions through Twitter. It’s informal in the sense that students are asking short form questions because they’re limited to 140 characters so they can’t get too detailed. It’s also a real nice tool for us because that’s where I can monitor certain keywords…not just hashtags.”
    • Instagram: “We’re just trying to share a really organic student version of what campus is like. It doesn’t have to come from a specific area and it can be anything from the ice cream students are getting at the MSU Dairy Store to their experience at the football stadium to being over by the Red Cedar River studying for finals.”

    While she can’t quantify the exact number of students that she successfully persuaded into enrolling at MSU, Janssen only needs to look over the digital trail of communication that she’s put into motion. Her favorite story involves a high school senior who once expressed worry over Twitter regarding her inability to decide on a college to attend. Janssen caught the tweet and replied with, “Well we say, Go Green! Be a Spartan.” The response that Janssen received from the senior in question was…well, according to Janssen, it went along the lines of, “OMG that’s a great school with all these green hearts and everything.”

    Without a spectacular athletic program, a warm student community, and an enormous digital presence to boot, a business won’t have the same brand affinity as a major national university. But at the end of the day, interacting with potential buyers through means that connect people throughout the world is a pretty solid start.

  • (DETROIT-BASED ONLINE NEWS PUBLICATION)

    summer in the city 2015

     

    Writing by Ray Hidalgo

    8/26/2015

     

    On a Friday, nearly two weeks ago, Summer In the City, a community service organization in Detroit largely comprised of young volunteers, finished up its 14th season with more than 1,200 people gathering at the Crowell Recreation Center on Detroit’s west side to celebrate.

    There was food and art and music at the celebration that included both volunteers and members of the community. But more importantly there was a feeling of accomplishment.

     

    “What's exciting about Summer in the City,” said co-founder Ben Falik,“ is that even as things have expanded and evolved beyond anything we could have imagined, we haven't lost sight of what inspired us in the first place -- the idea that young people can be the change they wish to see in Detroit.”

     

    Since its inception in 2002, more than 10,000 volunteers have performed more than 400,000 hours of high-impact community service that includes painting murals, planting community gardens and playing with elementary school campers at enrichment sites throughout the city. The program runs from June through August.

     

    Many summers ago with fellow co-founders Michael Goldberg and Neil Greenberg, Falik says he championed the vision of a more unified Metro Detroit community, and tapped into the positive energy of its young people.

     

    Initially, Summer in the City Detroit deployed volunteers -- suburban high school students -- from different carpool sites in the suburbs to designated locations in Detroit.

    These days, volunteers come from both the suburbs and the city, as well as from a businesses community that has been eager to spend working hours giving back to the community. The program not only benefits the city, but the volunteers, as well.

     

    For University of Michigan student and crew member Emily Aaron, this summer marks the bittersweet end of her three-year tenure with the organization; one of the more memorable chapters in her life as the leader of its Del Rey Play Program.

     

    “It’s always fun to come back after the school year and see the kids [from Del Rey] still remember you,” she said. “They run up to you and give you a big hug because they’re so excited to see you and let you know you kind of made a difference in their life. And they want to hang out again.”

  • (METRO DETROIT-BASED BI-MONTHLY BUSINESS PUBLICATION)

    slabbees techtown

    Ambitious program geared toward

    broadening city’s business talent

     

    Writing by Ray Hidalgo

    4/16/13

     

    DETROIT — Before childhood friends Kevin Ward and Charlie Monagan threw down $200 apiece last December to take over its deed, Lucky’s Coney Island was another burnt-out shell in the area of Fenkell and Chapel in Detroit’s Brightmoor neighborhood.

     

    Now, under their ownership and rebranded as Slabbee’s takeout, the refurbished venue is filled with the smells of earnestly prepared soul food and oft-lively neighborhood chatter. Given, there is no seating and the presence of the original Lucky’s outdoor marquee sign will confuse anyone looking for Slabbee’s, the proprietors quickly established a good foothold with the locals.

     

    And they eagerly credit Detroit business incubator TechTown and Derrin Leppek for giving them a second wind.

     

    “(Leppek) came in and ate; he liked what we were doing in the community … he was looking for a nice way to help us out through marketing and helping our business grow,” Ward says.

    As director of TechTown’s SWOT City program (Strength, Weakness, Opportunity, and Threats), Leppek has led a nascent effort to propagate the entrepreneurial savvy within Brightmoor and the Jefferson East corridor that the nonprofit 501(c)(3) traditionally cultivates within the tech sector.

     

    Inspired by his time helping to rehabilitate Detroit’s Midtown district, Leppek sought the blessing of TechTown CEO Leslie Smith to start SWOT City.

     

    “I think one of the greatest gifts Smith gave me was the power to let me explore this avenue of working with community businesses that weren’t technology based. … I’m talking urban retailers, coffee shops, clothing stores,” Leppek says. “And it really launched in this program we have today … without those businesses, we don’t have places that are livable to the extent they should be.”

     

    The discussion about Brightmoor’s economic future began during a conference in Mackinac Island last year where Kirk Mayes, executive director of the Brightmoor Alliance, spoke with Smith about developing a strategy geared toward revitalizing the neighborhood’s businesses. “What’s interesting is that neighborhoods often don’t know that there are any resources available to help them,” Smith says.

     

    Mayes notes that Smith was worried about residents being unaware of TechTown and the resources it had to offer, as well as its potentially confusing branding as a tech-oriented incubator. Since SWOT City officially opened an office in the neighborhood and directly engaged with Brightmoor’s businesses last October, however, the response has been visible.

     

    In one instance, Leppek recalls walking into what was formerly Spice Restaurant as equipment was being moved out. The owners had given up and decided that it was no longer sustainable. Yet, through the team’s guidance, the business has been revived into Chef Charles Catering and is still operating.

     

    According to Leppek’s numbers, his team has assessed 12 businesses within Brightmoor, created four jobs, retained 53, and delivered more than 400 hours of technical assistance. Every Tuesday from 10 a.m. to 1 p.m., SWOT City also hosts walk-in “Tune-Up” sessions that, in a more casual capacity, introduce attendees to entrepreneurial issues like business plan development, permit zoning, and business opportunity research, in addition to offering free legal service.

     

    Although continuing the philosophy that guided his own growth bears plenty of responsibility, Leppek need only look in the mirror to reflect on how his everyday efforts as a representative of TechTown can change lives. In the wake of the 2008 economic collapse, he was out of a job after 14 years on Ford Motor’s production line. Despite his latent business prowess, his resume was short on corporate experience. Yet, when his abilities were discovered and cultivated under TechTown’s entrepreneurial eyes, he landed a Wayne State University fellowship, ran a start-up worth $1.5 million, and finally assumed his current leadership role within a span of four years.

     

    The SWOT City director’s meteoric rise from stricken to success through its entrepreneurial mentoring program isn’t uncommon within TechTown. Outside of its neighborhood rehabilitation program, the incubator is setting the bar even higher with renewed big-league support to back a meticulously crafted approach to kindling the region’s budding entrepreneurs and financial ecosystems. If a recently unveiled three-pronged initiative called the Downtown Technology Exchange proves its mettle, then TechTown may be holding the keys to revamping the tech side of Detroit.

     

    $1M Grant to Expand Initative

     

    Ambitious, yet promising enough to merit a $1 million grant from the Michigan Economic Development Corp., TechTown, along with fellow incubators Bizdom and InvestDetroit submitted a comprehensive three-pronged initiative geared toward broadening the city’s business talent pipeline.

     

    The effort includes three programs to start in May and June. The first one is Launch Detroit, a 10-week “boot camp” where select graduate and undergraduate students participate in an accelerator under the supervision of mentors and coaches to work on business ideas with the hope that they can start their own companies.

     

    A second program, called D Venture, brings in “entrepreneurs-in-residence” who are proven businesspeople. They take on a variety of tasks ranging from commercializing opportunities, overseeing the creation of startups, and working with Wayne State’s more than 350 researchers. More researchers will be hired to fill out the university’s future $93 million biomedical research facility.

     

    Finally, the Fellows program is geared toward inserting six, mid-career entrepreneurs into the Detroit business ecosystem and assigning them multiple portfolio companies to manage.

    Reinforcing how impressed his organization was with the collaborative effort, MEDC President and CEO Michael Finney has great aspirations.

     

    “We want to see things in programs that are geared toward creating jobs, attracting and retaining talent, exploiting new technologies that are coming out of our universities, and entering our communities,” he says.

    For the blocks of derelict houses and vandalized walls in Brightmoor, the road toward improvement may not be so easy.

     

    From his perspective within Brightmoor, Mayes asks, “How can we improve the quality of life for people that are here in this time frame when we have access to information and technology that connects the entire world?”

     

    Perhaps, it will be people like Monagan and Ward who will answer the call at the frontlines, armed with the entrepreneurial strategy and tactics bestowed on them by Leppek and his colleagues at TechTown.

     

    “We know the money is going to come later,” Monagan says. “But the whole thing is that we love the community, and what makes me happy is to see people enjoying our food … that’s the biggest paycheck right there.”

  • GLYPH MAGAZINE

    (MICHIGAN STATE UNIVERSITY STUDENT iPAD MAGAZINE)

    dining without borders msu glyph

    DINING WITHOUT BORDERS

    How Immigration has Changed the Way We Eat

    Writing by Ray Hidalgo

    10/4/2014

     

    We’ve all sat down to cold delivery pizza, late-night Taco Bell burritos and the pseudo-ethnic fodder from mall food courts. Any one of these may hit the spot for the next few hours, but are our appetites truly satisfied? Consider that the deep-rooted culinary traditions of immigrants from around the globe are still very much alive, offering us a taste of their homelands. A clump of rice topped with raw fish, French-Canadian chili cheese fries drenched in gravy, and kangaroo meat may not sound appetizing (yet). But an increasing number of Americans are taking their palates into unknown territory, leaving immigrant restaurants with both their hunger and cultural curiosities fulfilled.

     

    Still, the growing interest in foreign eats isn’t obvious. Having chronicled his journeys around the world to critique, photograph and discuss international cuisines for nearly a decade, renowned food blogger Bonjwing Lee said in an interview that, “A lot of Americans are not adventurous. They focus on [food] quantity and not quality; what they’re familiar with instead of venturing out of their comfort zone and trying something new.”

     

    Nonetheless, there are indicators that this trend is changing.

    GrubHub, a prominent online food takeout and delivery company, compiled a list of cuisines that were experiencing the most significant growth in customer interest in July 2013. While Chinese, Italian and Mexican maintained their top three spots as GrubHub’s most popular foods, its data also demonstrated exponential growth in some of the most unexpected cultural fare. Growing by 97, 68 and 40 percent respectively, Pakistani, Caribbean and Halal cuisines became the new rage for customers over the course of April 2012 to June 2013, hinting that GrubHub’s American consumers have begun to distance themselves from their usual meals.

     

    EXOTIC EATING

     

    Donna Gabaccia, a professor of history at the University of Minnesota, says that the U.S. has evolved over the course of a century into a more cosmopolitan society where there are more means to sample international cuisine like through GrubHub.

     

    “Americans started eating spaghetti and meatballs which they kind of saw as the Italian dish of a hundred years ago,” she said. “But the Italian foods that Americans eat now are very different from the foods they ate when Italian immigration was at its peak — they’re much more influenced now by recent culinary developments in Italy that Americans learn through tourism rather than by interacting with restaurant owners who immigrated to the U.S.”

     

    If food enthusiasts and immigrating cooks can travel, ingredients can too — according to Lee, it has been crucial to how the spirit of foreign recipes are preserved.

     

    “Chefs can cook these foods which could only be achieved today, because a hundred years ago, they wouldn’t have access to all the ingredients and all the travel and all the cooking techniques that can be seen throughout their lives,” he said.

    And while it may compromise authenticity, the window for cooks to improvise with their dishes has opened a little more.

     

    “Cooks are creative; home cooks are creative; restaurant cooks are creative,” Gabaccia said. “When they cross cultural boundaries by migrating, they find new ingredients. They’re exposed to other ways of cooking and eating, and they’re artists - they’re going to respond to new ingredients and new tastes. There’s just this pleasure that cooks take in not just reproducing what’s familiar.”

     

    IS THIS MEAL THE REAL DEAL?

     

    Amidst the college sprawl of burger, pizza and coffee joints around Michigan State University, Altu Tadesse still keeps the recipes of her Ethiopian restaurant old school.

     

    “Everything [keeps my food authentic],” she said. “I prepare my own spices at home; I cut my own onions and I cook. Everything I do is authentic — really. It’s what I did in Ethiopia and that’s what makes it authentic. I don’t compromise anything.”

     

    A popular dish on Tadesse’s menu is a sirloin beef stew that follows up a rich, briny flavor with a nuanced tang of spices. The key to the stew, as well as one of Tadesse’s go-to ingredients, is berbere; a complex, medium-heat spice that gives many Ethiopian dishes their signature zest. It isn’t easy to find locally, but Tadesse wouldn’t buy it nearby anyway.

     

    “I get berbere from Ethiopia because nobody prepares it the way it should be done…I get it from Ethiopia when family comes or mails it to me,” she said. “They bring 10 or 15 lbs. each time.”

     

    Tadesse may be vigilant about maintaining the authenticity of her food, but the general idea of genuine cuisine isn’t always easy to define.

    Consider mole, for example. A chili pepper-based sauce normally associated with the national cuisine, mole is very common around Mexico. However, Lee pointed out how their colonial past actually plays a major role in why Mexicans from the Oaxaca region do not consider the sauce true to their culinary history.

     

    “All authenticity is; is older than what you know,” he said. “To the Indians who lived around Oaxaca, mole is actually not the authentic traditional food. It’s actually a bastardized version of their soups with European spices that were brought in by the Spaniards.”

     

    FOOD IS DOUGH

     

    Another factor that has played a role in the unraveling of authenticity in the kitchen is money. Lee saw this firsthand when an Applebee’s chef approached him to analyze some of the company’s recipes. After Lee mentioned he hadn’t been to a chain restaurant in a long time during a radio interview, the chef seized the opportunity to invite him to Applebee’s’ corporate kitchen to weigh in on their dishes.

     

    A team of company chefs had traveled to Mexico for a week, eating hundreds of tacos and other various native dishes in an effort to sample authentic flavor and apply it to future recipes. However, they insisted on catering their work to the tastes of American Applebee’s customers. Lee was not impressed.

     

    “I think it’s great that Applebee’s is funding research for their cooks…but what came out of their kitchen had no resemblance to the original,” he said. “They might as well not have ever gone to Mexico.”

     

    As lacking in authenticity as Applebee’s may be, however, it is still part of a booming industry. The National Restaurant Association projects that American eateries will boast $660.5 billion in sales in 2013, a significant jump from the $376 billion in sales that the industry managed in 2000. For immigrant entrepreneur chefs to make a profit, Gabaccia says that catering to customers’ tastes isn’t uncommon either.

     

    “They’ll be thinking, ‘Will I get more people in my restaurant if I kind of change how I [cook]? For example, there’s the levels of heat in a Thai restaurant,” she said. “[They’ll ask], ‘How much heat can my American consumers take?”

     

    With her patrons in mind, Tadesse offers a mild version for nearly every dish on her restaurant’s otherwise spice-oriented menu. It’s an accommodation befitting of the relationship the seasoned cook has with her customers.

     

    “The most rewarding thing about this business is that I love people…I saw a lot of caring in customers around here who really, really supported me, so that opened my eyes to how caring people can be,” Tadesse said. “I thought everyone was individual before that…but now there’s a lot of a families and kids who come and eat the food, and they love it.”

     

    In return, Tadesse offers a unique perspective for anyone curious about Ethiopian or African culture.

     

    "The other day, a girl — I think she was 9 years old — said she did research on Ethiopia,” Tadesse said. “She had a presentation for whatever international day they had. She told me, ‘thank you for cooking lima beans (she loves ordering lima beans when she comes here) — if you didn’t cook lima beans, I wouldn’t have known about Ethiopia!’ The people issue is really for me; more than the income.”

     

    Ultimately, ethnic food is an extension of a cultural identity that has persevered to present day; a delectable expression of the chef’s pride in his or her background and history. The food may not always be agreeable, but within a society that is driven by immigration and globalization, don’t be too surprised if a friend, family member, or significant other ends up dragging you to a respected eatery featuring a menu you can’t even read.

    monte carlo monaco cars

    CARS: The 10 Most Iconic Ones in Popular Culture

    Illustrations and writing by Ray Hidalgo

    10/4/2014

     

    ray hidalgo optimus prime

    Kenworth K100/Optimus Prime

    Transformers

    It’s perfectly acceptable to freak out when Optimus Prime transforms from an everyday tractor-trailer into an enormous robot packing some serious heat. As the towering Autobot leader, Prime easily lays waste to Decepticon enemies, but is better known for his profound compassion toward friends and foes.

    ray hidalgo james bond car

    Aston Martin DB5

    James Bond 007 Series

    Over the course of 23 movies, no Bond car is more recognizable than the DB5; the one that began it all. Q Branch has all sorts of goodies installed in the car for 007 to dish out some mayhem on his foes including, but not limited to: an ejecting passenger seat, hidden machine guns, and a standard-issue champagne cooler in the center console.

    ghostbusters ecto 1 ray hidalgo

    Converted Cadillac Miller-Meteor

    Ambulance/“Ecto-1”

    Ghostbusters

    Not even the merciless traffic of New York City can stand between the salvation of mankind and a dauntless Ghostbusters crew hurtling past city corners and gridlock in the Ecto-1. Its twisted ambulance siren is an ominous warning to all evil things supernatural that they’ve messed with the wrong dimension.

    delorean ray hidalgo

    Custom DeLorean DMC-12

    Back to the Future Trilogy

    Off the production line, the standard DeLorean was only able to kick out 130 horsepower and achieve 60 mph in 10.5 seconds. Behind the wheel of this slightly customized model though, Dr. Emmett Brown and Marty McFly don’t need roads where they’re going. Fueled by weapons-grade plutonium, 1.21 jigawatts of electricity, and a flux capacitor, this set of wheels can travel anywhere in time once it achieves a cruising speed of 88 mph.

    ray hidalgo halo warthog

    M12 “Warthog” Light Recon Vehicle

    Halo: Combat Evolved

    As the armored mobile platform of choice for the United Nations Space Command, the Warthog is notoriously difficult to destroy, often being vacated instead due to an inexperienced driver landing the vehicle in impossible terrain. Normally outfitted with a mounted chain-gun that can cut swaths through oncoming enemy hordes, the vehicle is perfect for a casual joyride through Covenant-infested territory

    ray hidalgo chitty chitty bang bang

    Custom Ford/Mercedes Roadster

    Chitty Chitty Bang Bang

    She flies; she floats; she inspires her occupants to sing without stopping. Doesn’t this animated roadster kind of sound like a James Bond car? That’s because the man who created 007, British author Ian Fleming, also wrote the book behind Chitty Chitty Bang Bang. Rest assured parents, Roald Dahl, the man behind the beloved children’s classic James and the Giant Peach, wrote up a G-rated script for the movie version.

    ray hidalgo batmobile

    “The Batmobile”

    The Batman franchise

    Like its owner, the Batmobile has changed over the decades, but with it, the Dark Knight can present himself as a double threat in the face of swarming enemies. Its rotating loadout comes standard with heavy ordnance and jet boosters; Batman has also integrated grappling hooks, a getaway motorcycle and remote control steering among other plausible combat modifications into the car’s design.

    ray hidalgo lightning mcqueen

    Lightning McQueen

    Disney’s Cars

    What the NBA championship trophy is to LeBron James is what the elusive Piston Cup is to #95 Lightning McQueen; he just can’t stop blabbing about it. Add a few hundred horses of fuel-injected muscle and a huge ego, and the road to victory is a smooth cruise away. Then again, what Pixar or Disney movie rewards its protagonist for his character flaws?

    ray hidalgo breaking bad rv

    Fleetwood Bounder “Krystal Ship”

    Breaking Bad

    She may not be pretty, but Walter White and Jesse Pinkman can’t deny that she serves her purpose. Bought with whatever money they could scrape up, the dicey drug-dealing duo’s mobile RV laboratory is the perfect setup for inconspicuously cooking up “Blue Sky” crystal methamphetamine in the middle of the New Mexico desert. Or so it would seem.

    ray hidalgo mystery machine scooby doo

    “The Mystery Machine”

    Scooby-Doo

    On the outside, the Scooby-Doo gang’s van is their way of getting around. But inside of it, what really goes on? Aside from guaranteed Scooby Snack consumption, the Mystery Machine continues to live up to its namesake. Whatever the case, there’s no crime that Mystery Inc. can’t solve with their beloved bus…as long as they have their driving permits

  • DAILY FREE PRESS

    (STUDENT-RUN DAILY BOSTON UNIVERSITY NEWSPAPER)

    sai kyaw yoma restaurant

    Writing by Ray Hidalgo

    10/5/2007

     

    Had he been arrested by Burmese officials or killed by a bout of malaria, Sai Kyaw would not have been able to serve his native cuisine at YoMa, his restaurant on North Beacon Street in Allston.

     

    The unassuming cultural décor of YoMa belies its owner’s turbulent past, one underscored by a constant battle for the liberation of the Burmese people from an oppressive government.

     

    The struggle for Kyaw, 43, began in 1987, when he was studying at Rangoon University in Yangon, Burma.

     

    In Sept. 1987, then-ruler of the Burmese government General Ne Win announced he was withdrawing the 75, 35 and 25 kyat currency notes, voiding much of Kyaw and his fellow students’ money and jeopardizing his education.

     

    “If you didn’t pay the tuition fee, they didn’t give you a grade,” Kyaw said. “For the rich, it was OK, but for the poor who couldn’t use their money, it was more difficult. It made me angry, and [the students] started protesting.”

     

    Despite being expelled from school for protesting, Kyaw said he continued to participate in student demonstrations, which started to spread to nearby colleges.

     

    On March 13, 1988, Burmese special police killed two Rangoon Institute of Technology student protesters, exacerbating already high tensions throughout the nation. Roused by the deaths, student leaders organized a nationwide protest on Aug. 8, 1988, which would become known as the 8888 Uprising and would drastically change the nation.

     

    “Monks, farmers, even people with the police and government joined us and then everybody started marching,” Kyaw said. “At City Hall, there were maybe 200,000 to 300,000 of us. All over [Yangon], there were maybe over one million.”

     

    Just as the Chinese military did during the Tiananmen Square protest less than a year later, the Burmese military began firing on the demonstrators.

     

    “A group of us were by a white bridge during the demonstrations,” he said. “Other university students joined us. The military was blocking the road, and they wanted us to disperse. They started shooting at the sky, and then they started shooting at us. Afterwards, we called the bridge the Red Bridge, since there was a lot of blood on it. Over a thousand people got killed that night.”

     

    When General Win resigned after the 8888 Uprising, the government temporarily took a hands-off approach before tightening its grip on the country’s protesters.

     

    “On September 18, [the military] started shooting again,” Kyaw said. “The government imposed martial law and curfews. You could not leave your house after 7 p.m. We had to run away. If we didn’t, they would arrest us and kill us.”

     

    Kyaw said he fled to the Thai-Burmese border and, along with other former students, formed the military wing of the All-Burma Student Democratic Front. Though they had previously protested peacefully, Kyaw said he and his comrades were forced to fight for their people and their livelihood.

     

    For three years, Kyaw combated the Burmese army alongside ABSDF compatriots in the dense jungle near the Thai-Burmese border. During his first year of fighting, Kyaw was wounded.

     

    “[The students and I] were moving up a small hill,” he said. “Suddenly, the [Burmese] soldiers surrounded us. I got shot in the back.”

     

    The scar from the bullet forms a visible dent on Kyaw’s lower back, while the bullet still resides in his stomach. Kyaw survived, unlike thousands of his fellow freedom fighters.

     

    His struggle was far from over, however. He contracted malaria and was sent to Bangkok General Hospital in Thailand for treatment. The World Church Organization and the United Nations then sponsored Kyaw as a political refugee to the United States, and though he now lives in Massachusetts, Kyaw said he and his wife, Thawder, are not immune to the ongoing crisis in Burma.

     

    “We have family in Burma, but we can’t contact them because only the government and rich people can use the phones,” Thawder Kyaw said. “We also can’t talk about the government with family because they will get in trouble if we say anything bad about it.”

    yoma restaurant

    Writing by Ray Hidalgo

    10/5/2007

     

    Sai Kyaw long ago traded the AK-47 he used to fight the Burmese army for non-violent protest and Burmese recipes to share with Bostonians out of YoMa, his restaurant in Allston.

     

    Though he now lives in the Boston area, the political refugee’s passion for the freedom of the Burmese nation burns just as fiercely as when he was on the frontlines of protests in the country he escaped from.

     

    “We aren’t here just to sell food. We want to expose Americans to Burmese culture and the current situation,” Kyaw said.

     

    Kyaw took part in a 24-hour hunger strike this past Labor Day with friend Jeremy Rathjen, a senior at the University of Massachusetts, in front of the State House to raise awareness about the injustices in Burma, known as Myanmar to the junta regime that rules the country.

     

    “A lot of activists had been arrested [in Burma] and were doing hunger strikes in jail, so we did that here,” Rathjen said. “A lot of people who came by were interested because they saw snippets in the news about Burma.”

     

    Kyaw also led a demonstration Sept. 14 in front of the Chinese and Russian embassies in New York City to raise awareness for the plight of the Burmese.

     

    “The only thing we want U.S. citizens to do is boycott the 2008 Olympics in China,” Kyaw said. “Any resolution for Burma will be rejected by China, and Russia will follow. China uses its veto power all the time on Burma issues in the UN council. If Chinese people change their position, our people will be free.”

     

    Burmese freedom activist and College of Communication senior Kaye Lin echoed Kyaw’s calls for Olympic boycott.

     

    “Tell China to stop funding the Burmese military,” Lin said. “We should all inform people about the situation in Myanmar, lobby the government, hold rallies, educate the mass public and tell them that this is a situation that matters.”

     

    Two weeks ago, Kyaw protested with others at Harvard University along with fellow activist Ben Brinton, a research assistant at Tufts University New England Medical Center.

     

    “The people [at the Harvard demonstration] tended to know more about what was going on, and tended to just be interested in a good resolution,” Brinton said. “I think a lot of people are fairly hopeful that something will come of this round of protest.”

     

    Brinton praised Kyaw as a motivational figure and a rallying point for activists.

     

    “I think centuries back to the revolution of our own country, and then to meet people like Sai who were involved in a real revolution. Fighting for democracy of their own people,” Brinton said. “There’s something really inspiring about them.”

     

    Though the United States has imposed trade sanctions against the Myanmar government and has frozen all assets belonging to high-ranking officials from the country in America, Kyaw’s wife Thawder Kyaw said sanctions are insufficient.

     

    “It is better off for the Chinese and Russians because they have more opportunity to trade with Burma,” Thawder Kyaw said. “We know [the situation in Burma] can’t get the same intervention that happened in Iraq, but at the very least, we want the U.N. army to go to Burma to protect our people.”

     

    While he is far removed from the brutality of the junta, Sai Kyaw said there are many parallels between the nation’s 8888 student uprising in 1988 and the current set of protests.

     

    “The movement is the same,” he said. “Before, the leading group was students. Now, the leading group is monks. We were marching in freedom and justice in 1988. Now, the monks are marching for the people. Everyone is hungry, [the government] raised the gas price and the people can’t ride the bus anymore. The monks are asking for a better life for the people.”

  • GREATER MEDIA

    (NATIONAL BROADCAST MEDIA CONGLOMERATE)

    broken image

    FOR THE RECORD

    How Vinyl Remains

    Important to Record Lovers

    WDHA ROCK RADIO

    NEW JERSEY

     

    Writing by Ray Hidalgo

    4/19/2013

     

    UHF has no mobile desk where specialists can get the hook up for customers on the latest deal with smart phone data plans; no video game kiosks for kids to play one of 2 unlocked demo songs for Rock Band 3; and no litany of impulse - keychain, trading card, USB key, or R/C helicopter - buys lining the checkout line. If there’s one thing that the Royal Oak, Mich. record store does have, though, it’s plenty of 12-inch vinyl. But in a world of iTunes, Pirate Bay, and Best Buy, why should it matter?

     

    At the very least, the gramophone and vinyl record are icons. No Blu-Ray disc or cassette deck has been immortalized in trophies that are awarded to best-selling albums and outstanding artists every year.

     

    And in every classic record in existence is a story that is etched in every little needle prick accumulated over time; narrated through the photographs, art, and lyrics that adorn the cellophane-wrapped sleeve it calls home.

     

    Yet, in the face of the unstoppable MP3 player, the allure of walking into a record store and browsing for hours in search of the Pink Floyd’s Dark Side of the Moon or the limited edition EP for Radiohead’s My Iron Lung can be reduced to a few keystrokes and mouse clicks through the iTunes Store.

     

    In a technologically innovative society where the commodity of time is taken for granted, the MP3 wins. Not to mention that a record player isn’t the most portable piece of hardware around. It’s certainly a bulky, inconvenient medium for the music that we need on the go for a jog or in our car. But remember that scene in Dazed in Confused toward the end (no spoilers, promise!) when Mitch Kramer throws a Foghat vinyl on his record player, puts on his oversized headphones, and falls asleep to the dulcet tones of “Slow Ride?” That experience in itself is more enjoyable than allowing ourselves to succumb to the impulse to move to the next song after 30 seconds.

     

    Behind the counter at UHF, Henry Pardike says, “If you buy vinyl, you’re more apt to listen to it; you’re actually going to sit down and listen to your record…you’re actually paying attention.”

     

    It may be a subconscious sort of complex, but with a vinyl record, the music is literally in your hands. You can hang the cover art on your wall, scratch it up on a turntable, and you can outright read the lyrics on the sleeve.

     

    And nothing beats the hunt through the crammed aisles of a record store while you rapidly search for that one rare copy you’ve been looking for…no matter how long it takes.

     

    But is vinyl compelling enough to a generation that already has cellphones in middle school? Put it this way – In 2007, 1 million LPs were sold in the U.S. Five years later, Nielsen Soundscan (via Digital Music News) confirmed that 4.6 million LPs were sold in the U.S. in 2012. It’s the most significant development in the vinyl industry in nearly two decades.

     

    And while record stores are continuing to close around the U.S., Pardike says nothing has changed and that the stores that closed were too big, mismanaged, or had the wrong music inventory. Whatever the case, vinyl records are increasingly available online, and with favorable Nielsen figures, more modern bands may start looking to vinyl as a medium for their music.

     

    As the first format for music, vinyl has a rich heritage – it might not be nearly as prolific of a product as it once was, but like a broken record…history can repeat itself.

    fender anniversary

    WCSX CLASSIC ROCK RADIO

    DETROIT

     

    Writing by Ray Hidalgo

    4/10/2013

     

    The Fender Stratocaster guitar is one of the most recognizable icons of rock - it’s been 57 years since Leo Fender snagged a patent for the legendary axe on this day in 1956, and there’s plenty of talent out there who, within that time, have given us some great riffs, shreds, and…well...smashes to enjoy.

     

    On that note, the Strat has been lit on fire and obliterated to splinters by Jimi Hendrix; bestowed upon George Harrison, Steve Winwood, and Pete Townshend by God…also known as Eric Clapton; and, its likeness has even been used and licensed for a music-oriented video game (Rock Band 3) as a controller. Its saga continues today in more contemporary musicians such as U2's The Edge and former Red Hot Chili Peppersguitarist, John Frusciante.

     

    A former radio repairman, Fender integrated part of a 1951 Fender Precision Bass to better conform to the human torso. Three pickups and a vibrato (just imagine the unique opening riff to Clapton’s “Layla”) gave the “tremolo” effect that makes the guitar so recognizable to this day.

     

    Longtime personal owner to the world’s most famous Stratocaster, “Blackie,” Clapton recalled the history with his own cherished instrument, one the he actually modded himself, in a GuitarCenter interview in 2004 before donating it for charity:

     

    “A guitar like Blackie comes along maybe once in a lifetime. I played it for 12 years non-stop on the road, and it's still got it. The action is perfect even though the neck is quite worn down and narrow. All you've got to do is pick it up and it sort of plays itself. I developed a lot of trust and security with that instrument.”

     

    If your intent upon becoming an expert on the six-string, investing in a Stratocaster may just lend you enough courage to go after the seemingly impossible solos, chords, and bridges that so many before, have strived toward and achieved.

    van halen III anniversary cover

    WCSX CLASSIC ROCK RADIO

    DETROIT

     

    Writing by Ray Hidalgo

    3/15/2013

     

    It’s been 15 years since the release of the album that bore witness to Van Halen‘s second changing of the guard and subsequent shift in creative direction: Van Halen III

     

    Following Sammy Hagar‘s departure in 1996, Van Halen settled on former Extreme frontman Gary Cherone to take over its lead role previously held by Hagar and David Lee Roth. Although his voice was eerily reminiscent to that of Hagar, critics tore into him over the pacing of his vocals and how they affected the rest of the band.

     

    Rolling Stone’s Greg Kot noted that, “Cherone has one speed as a singer on III — pained exertion — and longtime bassist Michael Anthony and drummer Alex Van Halen sound as though they're lumbering at any tempo.”

     

    Although Van Halen appeared to have left the overtones of reckless abandon from the days of 1984 and Van Halen I for much more mellow and emotion-laden feel, tracks like “Fire in the Hole” bring back the gritty, rambunctious riffs that kick-started the ensemble from the beginning.

     

    Despite all the criticism, Van Halen III peaked at #4 on the Billboard 200 in 1998. Cherone would leave the band within a few years of the album’s release and go on to form Hurtsmile, which released a record to favorable reviews.

     

    Meanwhile Van Halen continues to keep on keeping on. The band has upcoming concert dates scheduled in Japan and Wisconsin this summer and released their 12thstudio album A Different Kind of Truth in 2012.

    For more on Van Halen, visit the band's official website.

    jimi hendrix people hell and angels cover

    WROR CLASSIC ROCK RADIO

    BOSTON

     

    Writing by Ray Hidalgo

    3/14/2013

     

    The echoes of Jimi Hendrix‘s wailing lefty Strat have returned to the Billboard 200 album charts once more as the guitar legend’s posthumously-released compilation, People, Hell, and Angels, has snagged the #2 spot.

     

    The album, which is comprised of 12 never-before-heard early studio cuts from the guitarist, is Hendrix’s first release in a solid 44 years, and has already sold 72,000 units!

     

    "Jimi used that time in the studio to experiment, to jam, to rehearse, and using this jam-rehearsal style of recording enabled him to try different musicians of different stripes and backgrounds, because they offered a musical challenge to him," Eddie Kramer, one of Hendrix’s main studio engineers, told Billboard.

     

    People, Hell, and Angels, which was originally recorded at Record Plant Studios and Electric Ladyland Studios in 1968 and 1969, also features collaborations with Buddy Miles, Billy Cox, and Stephen Stills, and will unfortunately be the last studio album from Jimi Hendrix. But that doesn’t mean fans can’t look forward to more new music in the future!

     

    "We have tremendous amount of live recorded concerts in the vault," Kramer told Billboard. "A lot of them were filmed, too, so be prepared in the next few years to see some fabulous live performances, one of which I've already mixed.”

     

    Hendrix, in the little time he had, was a formidable trailblazer for artists who were capable of changing the paradigms of the industry. It takes a talented individual to resurrect his legacy by himself; it takes an extraordinary individual for his legacy to be resurrected by his devoted fans.

     

    For more on this story, head to Billboard.com.

     

    metallica vans

    WMMR ROCK RADIO

    PHILADELPHIA

     

    Writing by Ray Hidalgo

    2/19/2013

     

    Vans has a new line of kicks for anyone ranging from the angsty teeny-bopper armed with an iPod and a Walmart skateboard to the veteran surfer looking to throw on some slip-ons after several hours of hitting the waves.

     

    The bad boys of Metallica have teamed up with the California-based shoe company to create four distinct shoes designed by each respective member of the four-man ensemble. In a nod to the company’s roots in extreme sports, Vans has also paired each Metallica member with renowned figures in surfing and skateboarding in a series of entertaining video shorts. Hopefully the promotion is compelling enough, considering that the $70-$85 price range for the line is a big step ahead of the normal lines.

     

    Vans fuses some nifty skating/surfing footage with interesting clips of the athletes hanging out with the heavy metal icons and talking about everything from some of their more interesting in-concert incidents to James Hetfield’s decked out classic cars.

     

    Paired with skateboarding legend Steve Caballero, James Hetfield rocks a modified and intimidating pair of the iconic high-top Sk8-Hi’s that was inspired by his favorite pair of black boots. According to Vans’ official website, the new shoes are called Deconstructs, are also black, and feature Hetfield’s take on a skull and crossbones.

     

    Bassist Robert Trujillo joins Vans teams skater Tony Trujillo and his wife, Bad Sh*t drummer Ashley Trujillo (Robert is unrelated) to promote the Escuela shoe which features an intricate blue Aztec design.

     

    Guitarist Kirk Hammett chills out with surfing pro Nathan Fletcher and proves that he isn’t quite an amateur on the waves either. Predictably, Hammett designed an all-black slip-on, a shoe type heavily favored by surfers, which is merely distinguished from its unsponsored peers with an Ouija board graphic on the sole.

     

    Drummer Lars Ulrich’s special guest and video has yet to be released, but his shoe is set to be laceless and will feature a design on its side that doesn’t stray too far from the unique design of a fire truck bumper.

     

    Metallica has been churning out platinum-grade for generations, but for those of us who were grade schoolers during the resurgence of skater culture in the late ‘90s, Vans were a hot item. It’s been a while since the days of attempting to ‘grind’ on playground benches with our new Soaps or getting into a full-fledged argument over the comparative merit of Airwalks vs. Etnies. Skater shoes haven’t gone away, but whether Metallica’s whether foray into the trend is something worth stepping back into time for is up to your checkbook.

     

    To see all of the shoe designs and their videos, head to the Vans official website.

    billy gibbons vintage hall of fame

    WMMR ROCK RADIO

     PHILADELPHIA

     

    Writing by Ray Hidalgo

    1/15/2013

     

    Billy Gibbons’ epic beard may well be a testament to the decades of dedication he has put into shaking the foundations of rock as the founding member of the legendary ZZ Top.

     

    Vintage Guitar magazine’s contributors and readers seem to agree as they have inducted Gibbons into the publication’s 2012 Hall of Fame along with late jazz guitarist Charlie Christian, Electro-Harmonixfounder Mike Matthews, and the iconic Gibson Les Paul Jr. guitar.

     

    “Whether laying rock’s most-famous licks on a Strat or his legendary Les Paul Standard, Pearly Gates, or any number of tracks and guitars in the more than 40 years that is ZZ Top history, Billy Gibbons has been a guitarist who purveys utmost style,” said Vintage Guitar editor Ward Meeker.

     

    Due in no small part to Gibbons, the Texas-native trio were celebrated in May 1991 and May 1997 for “ZZ Top Day” statewide, officially recognized as heroes to their home state by its House of Representatives (next to Davy Crockett and Jim Bowie), given stars on the Hollywood Walk of Fame, and inducted into the Rock and Roll Hall of Fame.

     

    Gibbons is also in the middle of organizing the return of his first band, Moving Sidewalks, to the stage for a one-time show on March 30 at B.B. King’s Blues Club and Grill in Manhattan.

     

    Regarding the events leading up to the reunion, he told The New York Times, “(the other members of Moving Sidewalks and I) kept in touch, we kept up the correspondence, and it was quite a robust exchange. And remarkably, although I’d gone to a different planet and the other three had their day gigs, they were all weekend warriors, playing in bands here and there. So by a stroke of good fortune, when the opportunity came along, they had the interest, and had kept up their chops.”

     

    Moving Sidewalks has historically played a wide variety of music ranging from B.B. King covers to R&B, so the final set list is up in the air. Whether the band will kick out some ZZ Top is also a point of interest.

     

    “I think they’re restricting us to a 75-minute performance,” Gibbons told The New York Times of the concert. “We’ll try to persuade them to go longer, because there’s such a wealth of material.”

     

    Given that Gibbons’ influence on the industry is as deep as his rock repertoire, the newly-minted Vintage Guitar Hall of Famer might just be able to sneak in a few more songs.

  • Experience and SkillS

    tell us detroit logo

    Detroit-based social media agency

    February 2018 - Present

    Harnessing my journalistic and social media prowess, I help my agency champion small and medium-sized businesses in the Detroit area with the power of written word and video production. Focusing on nightlife and restaurants, we aspire to deliver the hottest multimedia insights into Detroit's vibrant culture to a local audience to promote both economic and communal prosperity.

    tell us detroit logo

    San Francisco-based software company

    Jun. 2016 - August 2017

    Cybersecurity, analytics, and data visualization are not easy concepts to grasp. As a marketing consultant for the company's SplunkLive! events, I produced comprehensive Powerpoint slides for speakers from client companies to help them present their experiences with Splunk software at major conferences. I also edited several internal documents including executive bios and memos.

    verde media logo

    Metro Detroit-based web development and marketing agency

    April, 2015 - October, 2015

    Incorporating elements of creative writing, web design, and digital marketing, my role with Verde Media kept my keyboard busy. Whether I had to blog out content about our company's unique web development and marketing industry or copywrite on the sites of our diverse clientele, I was always learning new things and empowering my writing repertoire with new styles.

    greater media logo

    National broadcast media company

    Jan. 2013 - Apr. 2013

    Until I erode my eardrums, I will always be that obnoxious driver with his windows down and unruly rock music dialed way up. Now, imagine the joy I brought to my work when the company that owned my favorite local rock stations took me on as an intern to write up the genre's latest news and gossip for several of its national affiliates.

    dbusiness logo

    Metro Detroit business journal

    Jan. 2013 - Apr. 2013

    Despite the fact that I may or may not have bombed a few economics courses during my college career, I was offered a fantastic internship with one of the Detroit area's foremost sources of information for local commerce. Walking in the door on my first day, I barely understood "supply and demand". By the time my semester was finished, I was already talking shop like a professional with chief executives.

    revue magazine cover

    REVUE Mid-Michigan Magazine

    Mid-Michigan arts and entertainment publication

    Jan. 2012 - Aug. 2012

    As a Spartan undergrad, I joined a small monthly publication that was circulated in newsstands and businesses throughout the Lansing area. While I didn't get free concert tickets, it gave me every good excuse to check out some new restaurants, get the lowdown on fun events, and learn more about Michigan's capital city.

    newser logo

    Chicago-based news aggregator

    Jun. 2009 - Jul. 2009

    Newser's mantra is "read less, know more". As an editorial intern, this meant that I took stories (without breaching journalistic ethics, of course) from other news outlets and - regardless of their size - faithfully rehashed them into a few meaningful and concise paragraphs. Because let's be honest; not everyone has the time or patience to read the latest issue of the Wall Street Journal front to back on the reg.

    tell us detroit logo

    Detroit-based online news outlet and aggregator

    May-Jun. 2008 // Jul.-Aug. 2009

    The only coffee I ferried around for my first internship was for myself as I blindly tackled the harrowing, yet immensely valuable interview opportunities my editor set up for me. The then-mayor of Detroit (Dave Bing), one of the star chefs from Iron Chef America (Michael Symon), and the Kenny G of flute music (Alexander Zonjic) were among some of the high-profile people who graciously allowed me to hold a tape recorder to their face as my arm endured chronic spells of the jittery rookie shakes.

  •  

    The rest of my resume

    (more boring professional stuff)

     

    EDUCATION:

     

    Michigan State University

    - Bachelor of Arts in Journalism (Summer 2008 - May 2014)

    Boston University

    - Journalism major, transferred to MSU (Fall 2005 - Fall 2007)

     

    ACTIVITIES

     

    Student writer - ING Magazine, MSU student-run campus magazine (Sept. 2011 - Sept. 2012)

    Participant - Leadershape Institute, Michigan State University leadership program (Jun. 2012)

    Reporter - Daily Free Press, Boston University student-run campus newspaper (Sept. 2007 - Nov. 2007)

    Staff member - Summer in the City, Detroit community service organization (Jun. 2003 - Aug. 2007)

    SKILLS

    Publishing: Rivista and Wordpress CMS

    Marketing: Inbound marketing (Hubspot-certified), content writing, blogs, eBooks, copywriting

    Social media/traffic analysis: Google Analytics/Adwords, Hubspot CMS, Instagram, Facebook, Tumblr, Strikingly, and Twitter

    Public relations: Press releases

    Microsoft Office: Excel, Word, Access, and Powerpoint

    Digital artistry: Competent at stylus art with Procreate and SketchClub apps

  • REACH OUT

    Want to contact me? You got three choices! Choose carefully...

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    Email

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    LinkedIn

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    Facebook

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